Sunday, July 20, 2008

The Dark Knight Review

Christopher Nolan's The Dark Knight, the second installment of the resurrected Batman franchise, has taken its position as history's greatest comic book film of all time with full force! Between Ledger's Oscar-worthy performance, Nolan's skillful directing and screenwriting, and the hype, this movie is bound to break every record in the books.

If Christian Bale had not already proved himself to be the best Batman on screen with Batman Begins, he definitely proved it here. Though while his Batman is so interesting and horrifying, it is his Bruce Wayne that really comes alive. The struggle we see Wayne go through as he tries to save a city that does not want him to save it is so captivating, you actually find yourself pulled between wanting Batman is stop and wanting him to prove himself again and again.

Bale was supported by terrific actors, giving amazing performances. Gary Oldman takes his role of Jim Gordon further in The Dark Knight. He does a beautiful job of showing how it’s not easy for Gordon to trust the Batman at all times. He juggles his secret bond with Batman and his job perfectly, making the character's transition into Commissioner seem obvious, yet surprising.

Michael Caine returns again as Alfred, Wayne’s butler. Though he always makes the best out of his moments, the character seems to only serve the purpose of giving philosophical advice to his master, unlike in Batman Begins when we saw how he was also affected as a second father to Bruce. It is actually not until the end of the film where he again becomes a father and emotional protector to Wayne, perhaps a little too late for the film.

Morgan Freeman returns as Lucius Fox, one of the people that know Batman’s secrets and the man who creates Batman’s unending plethora of gear. He does this while also running Wayne Enterprises. Freeman’s dialogue is so well written and has a great balance of comedy and seriousness. Freeman handles the role perfectly, making what should be a small cameo into a highlight, even more than he did in Batman Begins.

Aaron Eckhart takes his role of Harvey Dent to a new level. Nolan gives him a very meaty role that some have suggested is more important in the movie than the Joker and Batman. As Gotham’s “White Knight,” Harvey Dent gives an example of why the city might not need Batman. Eckhart does a great job of showing the struggle that Dent goes through before becoming his alter ego, causing the metamorphosis to make more sense. We feel pity for Dent, which is the key ingredient to making the villain Two-Face work. It should also be mentioned that the size of Eckhart’s role in the film was the best-kept secret of the year!

Maggie Gyllenhaal, brother to Heath Ledger’s best friend, Jake, takes over the role of Rachel Dawes beautifully, wiping out any memory of Katie Holmes from audiences’ heads. Her quick-wit and no-nonsense approach to the role is exactly what is needed when up against Bale’s tragic Bruce Wayne / Batman. Her storyline takes an unbelievable twist that becomes a sad moment that would not be so sad had if it been performed by the previous actress in the role. The next question that lies ahead is what is in store in the love arena for Mr. Wayne?

Last, but certainly not least, is Heath Ledger’s Joker. Between the amazing script and magnificent acting, the Joker becomes much more than any person thought possible. He is not just the villain of the story, but the nucleus. Between all of Gordon’s nervousness, Alfred’s advice, and Fox’s warnings, no character has us thinking more than the Joker. He has an entire audience questioning themselves, making them wonder if their own lives are merely jokes for others to laugh at. What is it to be a human being in a post-9/11 world? When everything we know is taken away from us, do we simply fall apart? How many times can we “pick ourselves up again”? It is hard to believe that a comic book villain could get someone thinking that hard, but it is Ledger’s performance that makes it so believable. The trick is the youthfulness that he brings to the role. As oppose to being completely separated from Batman in story and age, Ledger brings out the connections between the two, almost as if they are brothers separated by good and evil. They need each other. Ledger even tells Batman in a comical – but serious – moment “you complete me.”

As previously said, the movie definitely has some 9/11 allusions, but does not beat us over the head with them. It’s there for those of us that want it to be there. As we watch Gotham fall apart at the hands of a madman, we are reminded of how our country fell apart for a short time, but fought together to bring back justice and social norms. The Joker spends most of the movie questioning how many times we can fall before we lie down and die. Batman works on the opposite end to show us we should never give up, even when he is at his closest to quitting.

As did Batman Begins, this film brings great closure, while at the same time leaving itself wide open for another story. What is next for the Batman? In the first film, we saw Batman’s reaction to his own tragedy and to Gotham City. In The Dark Knight, we see Gotham’s reaction to the Batman and how Batman’s “taste for the theatrical” will bring out villains who will try to top him! While this movie tends to focus on politics and “higher-ups” of Gotham, Nolan might want to show us how the media world affects the views of Batman. Will the media be behind him or try to destroy him? This would also open up a nice window for a new love interest – photojournalist Vicki Vale – to enter the scene as either Batman’s biggest fan, or biggest critic. This might also open a door for a new Batman villain – and the only one that seems to make sense in the world that Nolan has built for us – The Riddler.

2 comments:

  1. Ok, agreed on all accounts (well, almost)...Uh, why does Batman sound like he's doing a really bad Godfather impression?? And I was the only person who laughed (OUTLOUD) at the "you complete me" line.

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